Project 365 Tiruvannamalai

Around the hill / Photography (C) Thierry Cardon / Project 365 public photo archive Tiruvannamalai
Around the hill / Photography (C) Thierry Cardon / Project 365 public photo archive Tiruvannamalai

 

Title: Around the Hill
Photographer: Thierry Cardon
Medium and format: 35mm analogue palladium print
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

Disclaimer

Project 365 Tiruvannamalai

Director's anecdote / Photography (C) Abul Kalam Azad / Project 365 public photo archive Tiruvannamalai
Director’s anecdote / Photography (C) Abul Kalam Azad / Project 365 public photo archive Tiruvannamalai

 

Title: Director’s anecdote
Photographer: Abul kalam azad
Medium and format: 35mm Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

Disclaimer

Close encounters: 365days myopic view

{ Essay on photography by Arjun Ramachandran, a media student with interests in cinema and photography. 365 days myopic is a smart phone photographic series done by photographer Abul Kalam Azad, as a contribution to Project 365 public photo archive Tiruvannamalai. In this unique, expansive body of work Abul records the everyday life in the ancient town, Tiruvannamalai. Abul is the Director of Project 365, and co-founder of Ekalokam Trust for Photography.}

Since the advent of digital technology and its fast growth, we have been carelessly misplacing or erasing much of the images we produce, “safely” storing them in the long forgotten floppy discs, CD drives, USB drives, old mobile phones, cameras etc. Photography, which is essentially a print, has been stripped of its traditional alchemical quality and longevity, and has almost completely become mere virtual intangible images. While this digitization has undoubtedly democratised the medium and stretched the horizons of thought of its practitioners, the danger is, in an instant, the innumerable casual-yet-valuable images that are being made can be lost forever to our future generations.

Digital recording is, largely, mere magnetisation of a material or optical marks made on a surface. The unwanted and untrue connotation that the word “digital” has acquired is that it is only presentable on a screen; “digital” only really means quantised, non-continuous data. On the basis of this misunderstanding, we have been storing digital images for the purpose of virtual viewing alone and by nature, digital recording is much more vulnerable to damage compared to analogue (read continuous) recording. A stray magnetic field is enough to wipe out a hard disk.

Even though several thousand photographs are being taken every day, by nearly everyone, only a very few provide thoughtful and focused efforts to preserve these photographs like yesteryear epigraphical documentation or other iconographic motifs for the benefit of future generations. This is as much an effect of seeming unnecessity and non-viability as it is of gross negligence. Documents are only valuable for those who see a use for it many years down the line, and not for those who do not intend to pay a second thought to the matter. Smart phone photographs, therefore, seem trivial and replicable for the majority of the authors and as such, irrelevant. These photographs may not be printable in larger formats, may not be commercially viable, but in an archive, they serve well the intended purpose – a visual document of ordinary people and their everyday life in an ancient town.


Abul Kalam Azad has been making smart phone photographs as connecting anecdotes for project 365. He has created several hundred lo-fi images depicting the life and culture of this ancient town, recording routine or chance meetings, casual events or details of his own daily life. Project 365 public photo archives will be locally preserving these images for public access and research. Setting aside his expertise in analogue & experimental photographic works and after traversing through digital, painted, manipulated images, Abul has consciously shifted to smart phone image making in a bid to utilise its nuances.


Smart phone images readily seem to bring in an element of autobiography. The daily events are most often captured through them, almost always in a moment of subconscious composition and judgement. There is a lack of formality or any veil of pretention that a bulky professional camera might induce even though the pretentions and mannerisms of the “real world” remain intact, as the smart phone remains nearly invisible between the subject and the artist. Even in staged portraits captured on smart phones, the posture of the subject becomes much freer. The smart phone becomes something of a non-intervening observer, not affecting the system at all.

The myopic eye of smart phone demands that the photographer has to be within a certain “intimate” distance to take a photograph. There has to be a certain connection between the one who is being photographed and the photographer himself – using a smart phone to create portraits of people means that the photographer is not a mere witness; the one who is photographed often looks straight into the camera and thus, at the photographer. A reflection of the effect of eye contact between the photographer and the subject is captured in the portrait.


This presence of intimacy is what a spectator relates to in these images. As personal spaces become increasingly reserved and physical contact becomes restricted in a wave of conservative urban-elite influence, this welcome intrusion of a nonprofessional-appearing, smart-phone-wielding photographer into touching distances of the subject is a reminder of the extent of simplicity and freedom in human relationships.

Disclaimer: Photographs and text published in this post is copyrighted property of the author. Prior permission is required from the author for republishing and reprinting. For more information, contact Ekalokam Trust for Photography at admin@etpindia.org

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Title: Children of different gods
Photographer: Ami Gupta
Medium: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai

D'note from the PROJECT 365

Title: Deepam
Photographer: Biju Ibrahim
Medium: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365 is a public photo-art project that collectively creates and preserves photographic visual of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town. All images published in this page is a copyrighted property of the author and is part of EtP Project 365 public photo archive. Prior permission is required for commercial and other public use.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai One

Sufisim in Tiruvannamalai

Title: Sufism and Islam in Tiruvannamalai
Photographer: Iqbal MK
Medium: Digital
Year: 2014
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365 is a public photo-art project that collectively creates and preserves photographic visual of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town. All images published in this page is a copyrighted property of the author and is part of EtP Project 365 public photo archive. Prior permission is required for commercial and other public use.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

“AGNI”

Karthikai Pournima 2014 Photography

On 5th December 2014, Karthigai Mahadeepam was celebrated in Tiruvannamalai. For generations, the Nattar family (fishermen), lights the fire on top of the Hill. During Deepam festival, the people from various walks of life contribute in different ways. The different caste groups have a role to play.

Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Deepam 2014 / Photography (C) Arnav Rastogi / Project 365 public photo archives

The procession of saint poets

Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives

And, the saint poets and their gods are on the road… fully decorated in their various vahanas (vehicles)!!! Giving dharshan to the thousands of devotees and others… Many are touched by their own overwhelming bhakti, whilst others are moved by the sheer joy and faith of the devotees.. there are quite a few who would be silently enjoying the beauty of this artistic expression.. These priceless idols of our culture being shown to the public to look and experience is a celebration by in itself. Project 365 photographers have also been swept away by the festive mood of this ancient town… halogen lights and oil lamps warms up the chilled nights and the team gets ready for their ever fresh encounters…. Most of the photographers are using their smart phone to document this extensively documented festival. “Intimacy is the key”, said Abul Kalam Azad. “We are not mere witness to this festival, but we are part and parcel of the whole celebration. The smart phone makes it necessary for the photographer to be very close with their subject… it means a dialogue, a smile, a hug, a word or any form of exchange is a prerequisite to the photograph itself”, He added. Leading project 365 photographer Dinesh Khanna was supposed to lead the Deepam documentation. However, due to the sudden demise of his beloved mother, he is unable to join the team now. So, Abul is continuing to lead the team. He said,, “Amidst this overflowing mood of celebration, we have received this sad news from Dinesh… Let us salute and respect this loving mother and thank her for gifting this wonderful photographer to our world.”

The online feed of Deepam festival is also made in Project 365 page facebook page and instagram feed #etpproject365

Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Periyapuranam chanting / Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Drumming / Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Manikandan, the sarathi of silver chariot / Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
The procession / Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
The women trumpeter of Sri Thirunavukarasar band / Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Panneer Selvam / Project 365 Public Photo Archives
Photography (C) Panneer Selvam / Project 365 Public Photo Archives

As the temple and its surrounding bubbles with the festival, there are many a preparation that had underway to ensure the peaceful proceedings.

Photography (C) Arnav Rastogi / Project 365 Public Photo Archives
Photography (C) Arnav Rastogi / Project 365 Public Photo Archives
Photography (C) Arnav Rastogi / Project 365 Public Photo Archives
Photography (C) Arnav Rastogi / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives

And the tireless work of the police department….

Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives

And the most awaited “Mattu Chanda”. Last year the absence of the mattu chanda (cow market) was very much felt and the upcoming mattu chanda is expected by the spectators and buyers alike… our neighborhood bulls getting ready for the chanda…

Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives

For more deepam photographs check #etpproject365 and #deepam

Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text by Tulsi Swarna Lakshmi  / EtP. Profile by Ami Jangal / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com/ FACEBOOK – Project 365

 

Deepam, the festival of light

Karthikai Deepam, festival of lights is one of the oldest festivals celebrated by Tamil people. Deepam is observed in every home and every temple, and falls in the month of Kārttikai (mid-November to mid-December) as per Tamil Calender. This occurs on the day when the moon is in conjunction with the constellation Karthigai (Pleiades) and pournami (full moon). This constellation appears as a group of six stars in the firmament in the shape of a pendant from the ear. Many legends and lyrical poetry have grown round this star. The six stars are considered in Indian mythology as the six celestial nymphs who reared the six babies in the saravana tank which later were joined together to form the six faced Muruga. He is therefore called Karthikeya, the one brought up by the Karthigai nymphs. Houses and streets are lit up with rows of oil lamps (Deepam) in the evening of the festival day. One of the earliest references to the festival is found in the Ahananuru, a book of poems, which dates back to the Sangam Age (200 B.C. to 300 A.D.). The Ahananuru clearly states that Karthigai is celebrated on the full moon day (pournami) of the month of Karthigai, as per South Indian calendar. It was one of the most important festivals (peruvizha) of the ancient Tamils, including now the areas of modern Kerala too. Avaiyyar, the renowned poetess of those times, refers to the festival in her songs. Karthigai festival in Tiruvannamalai is very famous. On Karthigai day, a huge fire lamp is lit up on the hill, visible for several kilometers around. The fire (deepam) is called Mahadeepam.

This ancient Dravidian practice has been documented extensively in verse and visuals. The gods and goddesses, the rituals and chariots, the crowd and girivalam, every aspect of this festival has already been documented. Team 365 has another important vision, to preserve the visuals of the changing culture and lifestyle. Many may have noticed the ever changing scenario every deepam, the absence of the Mattu chanda (cow market), the advent of machine made drinks / coffees, ever growing new buildings and shops…. the visually exciting days and nights of Tiruvannamalai Deepam festival has a different dimension to be portrayed. Photography in essence is a play between light and shade (absence of light). This deep connection, the changing people, scenario and the colors of Deepam is what team 365 decided to capture. The team would be per-dominantly using iphone photography with instagram applications. Few photographs from the instagram Deepam series:

Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Jiby Charles / Project 365 public photo archives
Photography (C) Jiby Charles / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Jiby Charles / Project 365 public photo archives
Photography (C) Jiby Charles / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives

roject 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text by Tulsi Swarna Lakshmi  / EtP. Profile by Ami Jangal / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com/ FACEBOOK – Project 365

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‘The colors of Deepam’ by leading Project 365 photographer Dinesh Khanna

Karthigai festival in Tiruvannamalai hills is very famous. On Karthigai day, a huge fire lamp is lit up on the hill, visible for several kilometers around the hill. The fire (dheepam) is called Mahadeepam. As part of Project 365, Photographer Dinesh Khanna will be creating visuals of Tiruvannamalai Deepam Festival. A five member team, comprising of Project 365 photographers Arnav Rastogi, Bhagyashri Patki, Biju Ibrahim, Leo James and Shiv Kiran will be working with Dinesh Khanna and document the Deepam Festival.

Photographer Dinesh Khanna
Photographer Dinesh Khanna

Dinesh Khanna is one of the leading photographers of Project 365. He is based in Delhi. There are infinite ways of seeing. But when you see the world through Dinesh Khanna’s eyes, you are overcome with an innate sense of awe, besides many other emotions. The reason perhaps is the fact that he shoots from the heart. And it’s his incredible way of juxtaposing what he sees and what he feels that creates images that stay with you forever.

Even though his father was a professional photographer, Dinesh took his time to meander through his advertising career and eventually gave in to his true calling. His dad often urged him to use the camera, travel more often and take pictures of whatever he found interesting. He even grew up learning to make his own prints in the darkroom they had at home. But the rebel in him chose not to follow the conventional ‘son-takes-over-from-father’ routine simply because he felt it was against his principles to adhere to what the caste system followed, something he strongly did not believe in.

However, photography was not just in his blood, it was the one great love and passion of life he could no longer ignore. At first, Dinesh took up a lot of commercial work, which displayed his immense talent and creativity. Gradually, he began traveling more, exploring more, photographing everything that ‘engaged’ him and in the process, enjoying every moment of what he was doing. From Street photography, to portraits to interiors of homes and hotels, travel pictures, photo stories, editorial and food photography, Dinesh’s work spans a varied mix, with many a common aspect… a love for life, a love for colours and a love for people being a few.

His photographs radiate a powerful and positive resonance which is why we want to stop and stare. Not just to admire the sheer beauty of the image, but also to appreciate seeing things the way he sees them. It’s what you call ‘insight’ in advertising terms. For example his iphoto series on ‘kissakhursika’, is a series on chairs. A simple everyday object that we may not even give a second glance to. But the way Dinesh has interpreted this very khursi, as he takes us on a visual journey portraying the significance of the chairs common people sit on (be it watchmen or barbers or children) and the ironic symbolism of a ‘khursi’ in the political context is so basic yet so bold and captivating.

Dinesh’s ‘Incredible India’ series that was created to celebrate the 350th anniversary of the Taj Mahal earned him much fame. So did his solo exhibitions and pictorial books ‘Bazaar’ and ‘Living Faith’ which were born from his many travels and beautifully captured images from various melas, markets and sacred sites in small towns and rural areas.

His works also include stunning portraits of “Artists, Musicians, and Writers” “Mothers & Daughters” and a series on common man at work called “Earning Dignity” which all capture expressions and emotions in a stark yet subtle manner. His photos have also been published in monthly columns like ‘Double Take’ and ‘Urban Trivia’ for First City magazine, which display India’s ironic ‘Tryst with Urbanity’ and also ‘Cellphone Diaries’ for Better Photography.

Dinesh is also the co-founder and managing trustee of the Nazar Foundation in Delhi, a non profit trust that promotes the art of photography through various workshops, interactions and exhibitions. Doing this is his way of sharing his passion with budding and even experienced photographers. This organization also sponsors the biennial ‘Delhi Photo Festival’ which is an incredible platform for photographers to showcase their works.

Dinesh Khanna has displayed his work at several solo and group exhibitions, nationally and internationally at The Habitat Center, India International Center, Palette Gallery, Vadehra Gallery, New Delhi, Oxford Gallery, Kolkata, NCPA, Mumbai, Sundaram Tagore Gallery, New York, The Asia Society, San Francisco, Mondavi Center, UCLA, Los Angeles, Whitechapel Gallery, London and at FotomuseumSwitzerland.
A few of his photographs were also recently featured in an exhibition of paintings titled Soul of Asia Art – an exhibition curated by Sushma Bahl as part of the 44th International Film Festival of India, Goa, 2013.

Based in New Delhi, Dinesh is currently working on his next pictorial book ‘Benaras: Everyday in Eternity’ apart from various other assignments. Whether he is taking pictures of martinis, majestic hotel suites, of a teenager on a terrace or bangles in a bazaar, his work exudes emotions that every viewer can relate to at a very simple level. And we look forward to more.

Dinesh will be reaching Tiruvannamalai on 30th November 2014. During his stay, he will also be presenting his works with our rural audience (the dates will be announced at a later stage). Thank you Dinesh Khanna, for being part of project 365 and visiting this ancient town.

WELCOME.

Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text by Tulsi Swarna Lakshmi Nadar / EtP. Profile by Ami Jangal / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com/ FACEBOOK – Project 365

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