Project 365 Tiruvannamalai

EtP PROJECT 365 Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

Title: Making of an inclusive mountain
Photographer: Waswo X Waswo
Medium: Hand painted on digital archival print
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Title: Around the Hill
Photographer: Thierry Cardon
Medium: Analogue 120 film negative palladium print
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365                                                                                                Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai

D'note from the PROJECT 365

Title: Deepam
Photographer: Biju Ibrahim
Medium: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365 is a public photo-art project that collectively creates and preserves photographic visual of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town. All images published in this page is a copyrighted property of the author and is part of EtP Project 365 public photo archive. Prior permission is required for commercial and other public use.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Title: Director’s Anecdote
Photographer: Abul Kalam Azad
Medium: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365 is a public photo-art project that collectively creates and preserves photographic visual of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town. All images published in this page is a copyrighted property of the author and is part of EtP Project 365 public photo archive. Prior permission is required for commercial and other public use.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai One

Sufisim in Tiruvannamalai

Title: Sufism and Islam in Tiruvannamalai
Photographer: Iqbal MK
Medium: Digital
Year: 2014
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365 is a public photo-art project that collectively creates and preserves photographic visual of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town. All images published in this page is a copyrighted property of the author and is part of EtP Project 365 public photo archive. Prior permission is required for commercial and other public use.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

“Poems and Visuals”

"Poems and Visuals" / Photography (C) Bhagyashri Patki / Project 365 public photo archives
“Poems and Visuals” / Photography (C) Bhagyashri Patki / Project 365 public photo archives

” யாம இரவின் நெடுங்கடை நின்று
தே முதிர் சிமையக் குன்றம் பாடும்
நுண் கோல் அகவுநர் வேண்டின் வெண் கோட்டு
அண்ணல் யானை ஈயும் வண் மகிழ்
வெளியன் வேண்மான் ஆஅய் எயினன்
அளி இயல் வாழ்க்கைப் பாழிப் பறந்தலை
இழை அணி யானை இயல் தேர் மிஞிலியொடு
நண் பகல் உற்ற செருவில் புண்கூர்ந்து
ஒள் வாள் மயங்கு அமர் வீழ்ந்தெனப் புள் ஒருங்கு
அம் கண் விசும்பின் விளங்கு ஞாயிற்று
ஒண் கதிர் தெறாமை சிறகு அரில் கோலி
நிழல் செய்து உழறல் காணேன் யான் எனப்
படு களம் காண்டல் செல்லான் சினஞ் சிறந்து
உருவினை நன்னன் அருளான் கரப்பப்
பெரு விதுப்புற்ற பல் வேள் மகளிர்
குரூஉப்பூம் பைந்தார் அருக்கிய பூசல்
வசை விடக் கடக்கும் வயங்கு பெருந்தானை
அகுதை கிளை தந்தாங்கு மிகு பெயல்
உப்புச் சிறை நில்லா வெள்ளம் போல
நாணு வரை நில்லாக் காமம் நண்ணி
நல்கினள் வாழியர் வந்தே ஓரி
பல் பழப் பலவின் பயங்கெழு கொல்லிக்
கார் மலர் கடுப்ப நாறும்
ஏர் நுண் ஓதி மாஅயோளே.”

– அகநானூறு 208, பரணர், குறிஞ்சித் திணை – தலைவன் தன் நெஞ்சிடம் சொன்னது (Agananooru 208, Baranar, Kurinji (hill) landscape)

Sangam period is the period in the history of ancient southern India (known as the Tamilakam, comprising of modern period Tamil Nadu, Kerala, Andhra Pradesh, Pondicherry and Karnataka) spanning from c. 300 BCE and 300 CE.There is a wealth of sources detailing the history, socio-political environment and cultural practices of ancient Tamilakam, including volumes of literature and epigraphy. The collection of literature contains 2381 poems composed by 473 poets, some 102 of whom remain anonymous. Sangam literature is primarily secular, dealing with everyday themes in a Tamilakam context. Tamil sangam poems reflect the concept of ‘love’ using nature and landscapes express human love.

Agananuru is a classical Tamil poetic work, the seventh book in the secular anthology of Sangam literature (600 BCE – 300 CE), namely Ettuthokai. The secular anthology is entirely unique in Indian literature, which are almost religious during the era. It contains 400 Akam (subjective) poems dealing with matters of love and separation. The classification of Agananooru ties the emotions involved in agam poetry to a specific landscape. These landscapes are called thinai (திணை). These landscape classification described are: kurinji (குறிஞ்சி), mountainous regions; mullai (முல்லை), forests; marutham (மருதம்), agricultural land; neithal (நெய்தல்) coastal regions; paalai (பாலை) deserts. In addition to the landscape based thinais, kaikkiLai and perunthinai are used for unsolicited love and unsuited love respectively.

English translation for the above text that describes Kurinji – the hill landscape of Sangam period with his lover.
” May she live long,
……….my lover who broke the limits of her shyness
……….like a salt dam that does not withstand flood waters
……….after heavy rains, who came and gave herself to me,
……….the dark girl with beautiful, soft hair with fragrances
……….of monsoon flowers of Kolli hills, rich, dense with
……….jackfruit trees, belonging to king Ōri,
like faultless, victorious Akuthai who came to the aid
of the devastated Vēlir women who crushed their fresh
garlands with different colored flowers and cried.”

Photography (C) Bhagyashri Patki / Project 365 public photo archives
Disclaimer: All rights reserved. All the images published in this page is copyrighted property of the author (photographer) and is a part of PROJECT 365 PUBLIC PHOTO ARCHIVES. Reprinting / publishing rights reserved by the author and/or EtP (PROJECT 365 public photo archives). Prior permission is required for reproduction / re-publishing for non-commercial public use and research. For more information contact EtP at {0}4175 237405 / {0}94879 56405 / project365@etpindia.org

Colors of Tiruvannamalai

“There are infinite ways of seeing. But when you see the world through Dinesh Khanna’s eyes, you are overcome with an innate sense of awe, besides many other emotions. The reason perhaps is the fact that he shoots from the heart. And it’s his incredible way of juxtaposing what he sees and what he feels that creates images that stay with you forever.” – Ami Gupta, Project 365  Photographer and Editorial Team, EtP on the works of noted contemporary Indian photographer and Project 365 leading photographer

Photographer Dinesh Khanna in Tiruvannamalai / Smart phone photography (C) Abul Kalam Azad / Project 365 public photo archives
Photographer Dinesh Khanna in Tiruvannamalai / Smart phone photography (C) Abul Kalam Azad / Project 365 public photo archives

Dinesh Khanna had visited Tiruvannamalai during Pongal festival. Dinesh has always been fascinated by Colors. As soon as he landed in Chennai, he was captivated by colors that can been seen every where. He happily said, “Tamil Nadu and I have one thing in common – colors”. His photographic contribution to our ancient town, “Colors of Tiruvannamalai” portrays the vibrant mood of this ancient town.

Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives

Everyday life in an ancient town

Dinesh Khanna is the co-founder and managing trustee of the Nazar Foundation in Delhi, a non profit trust that promotes the art of photography through various workshops, interactions and exhibitions. Doing this is his way of sharing his passion with budding and even experienced photographers. This organization also sponsors the biennial ‘Delhi Photo Festival’ which is an incredible platform for photographers to showcase their works.

Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives
Colors of Tiruvannamalai / Photography (C) Dinesh Khanna / DSLR 35mm camera / Archival pigment prints / Project 365 public photo archives

Thank you Dinesh Khanna for being part of this cultural initiative that creates and preserves photographic visuals of the fast changing culture and lifestyle of our ancient town.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author (photographer) and is a part of PROJECT 365 PUBLIC ARCHIVES. Text by Tulsi Swarna Lakshmi  / EtP. Reprinting / publishing rights reserved by the author and/or EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing for non-commercial public use and research. For more information contact EtP at {0}4175 237405 / {0}94879 56405 / project365@etpindia.org / FACEBOOK – Project 365

Close Encounters – ‘Lo-Fi Photo Series’

Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives

These smart phone photographs are made by photographer and Project 365 Director Abul Kalam Azad as connecting anecdotes for project 365 that creates and preserves photographic visuals of the fast changing culture and lifestyle of a South Indian Tamil town Tiruvannamalai. He has been creating several hundred images portraying the life and culture of this ancient town and Project 365 public photo archives will be locally preserving these images for public access and research.

We belong to the generation that has been photographed intensely. However, very few of these photographs will be preserved. There is a greater chance that only one or two out of one lakh photographs will reach the print form. Since the advent of digital technology, and its fast growth, we have lost most of our images that are being safely stored away in the long forgotten floppy discs, CD drives, old mobile phones, cameras etc., Photography, which is essentially a print, has given away its traditional alchemical quality / longevity and has become mere virtual intangible screen images. The danger is, in an instant, these images can be lost forever to our future generations.

Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives

We also belong to the generation that is fast changing and growing exponentially. Our way of life, lifestyle, beliefs and practices are changing. The potential of this photographic medium is so high to document these paradigm shift moment. Even though several thousand photographs are being taken everyday by almost everybody, only a very few provide thoughtful and focused efforts to preserve these photographs like yesteryear epigraphical documentation or other iconographic motifs for the benefit of our future generations. EtP (Ekalokam Trust for Photography) is dedicated to collectively create and preserve photographic visuals of these sublime images. That is the intent behind Project 365 and to achieve that, EtP has been properly archiving these smart phone and other lo-fi photographs. These photographs may not be printable in larger formats… may not be commercially viable… but they serve well the intended purpose – a visual document of ordinary people and their everyday life in an ancient town.

The myopic eye of smart phone demands that the photographer has to be within a certain “intimate” distance to take a photograph. There has to be a certain connection between the one who is being photographed and the photographer himself… using a smart phone to create portraits of people means, the photographer is not a mere witness The one who is photographed often looks straight into the camera and thus the photographer.. there is an unspoken conversation that connects these two, both becoming intensely present !!!

And, this intimate presence is what a spectator relates…

Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director's anecdote / Project 365 public photo archives
Smart phone photography (C) Abul Kalam Azad / Director’s anecdote / Project 365 public photo archives

(to be continued)

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text by Tulsi Swarna Lakshmi  / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / project365@etpindia.org / FACEBOOK – Project 365

Director’s anecdote – Periyakulam weekly chanda

“A peasant become fond of his pig and is glad to salt away its pork. What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and not by a but” – John Berger

Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives

Vettavalam is a Panchayath town in Tiruvannamalai District. Periyakulam Chanda (market) is near Vettavalam, about 19 kms from Tirvannamalai. This is one of the very few active Sunday chandas in Tiruvannamalai District. Variety of  cattle, livestock, roosters, pigs, horses, goats, turkeys, rabbits, goose, etc., are arrayed for sales.  Hand made equipment, country vegetables, dry fishes, etc., also become part of this chanda. These color market is vibrant with life and activities. The market becomes active quite early. Pork is prepared and served, often times along with alcohol… one can see several men and women sitting in the sideways and eating. In the age of super market and online shopping practices, these kind of places continue to be a social gathering space. More like a festival, during the weekly chanda, people from neighbouring villages come together, share and laugh, sell and buy, and enjoy this ancient practice.

Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives

Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives

Not long before, animals were central to the existence of human beings. Not merely as leather and meat, but as an essential force that co-exists. Their entry into the life of humans was phenomenal. More as messengers and keepers of secrets, they communicated and started living alongside human beings. However, things have fast changed and now most of the animals are in zoos, distant and aloof, having been taken away from their natural habitation. In Tamil nadu, the animals continue to be used for many different purposes. Barter system is still prevalent in certain parts of the fast growing Tamil land. In many ways, the animals are still central to the life of these communities. However, this situation will soon change and animals will be forced to play a mere marginal role.  And, these animals might even become extinct, as their existential link with human beings is bound to change owing to the technological advancement.

Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives Periyakulam weekly chanda / Photography (C) Abul Kalam Azad / Project 365 public photo archives

By

Abul Kalam Azad

Director, Project 365

Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text transcribed by Tulsi Swarna Lakshmi  / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com/ FACEBOOK – Project 365

MUKHAMUKHAM – Tripunithura and Tiruvannamalai

Thrippunithura or Tripunithura is a suburb of the city of Kochi in the state of Kerala, India and a part of the Kochi metropolitan area. Thrippunithura was the capital of the erstwhile Kingdom of Cochin. Project 365 MUKHAMUKHAM event was organised at Kalikotta, Tripunithuraon 26th and 27th December 2014 during Ekharya Performance Festival. Photographer and Project 365 Director Abul Kalam Azad presented his selected works from 1975 – 2014 with the audience on the first day. Abul’s series titled, ‘landmark of my memories’ – showcased the architecture of 70s and 80s Kerala. Senti-mental series, the kaleidoscopic view of life and personal history showed an impossible fusing of photos and graphics. Abul had worked on this series for almost five years (2005 – 2010). One of the recent series ‘Beatles in Rishikesh’, a simple black and white photographs portraying the abandoned Maharishi Mahesh Yogi Ashram where Beatles had visited during the 1960s. The trajectory of Abul’s works was indeed mind blowing. Almost hundred photo enthusiasts enjoyed the works. The second Project 365 photographs were shown to the audience.

Theatre artist and photographer Ramesh Varma introducing photographer Abul Kalam Azad / Photography (C) Arnav Rastogi / Project 365 public photo archives
Theatre artist and photographer Ramesh Varma introducing photographer Abul Kalam Azad / Photography (C) Arnav Rastogi / Project 365 public photo archives
Ekharya Performance Director Ashok introducing Project 365 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Ekharya Performance Festival Director Dr. Abhilash Pillai introducing Project 365 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Project 365 Manager Tulsi swarna lakshmi introducing EtP and Project 365 / Photography (C) Arnav Rastogi / Project 365 public photo archives
Project 365 Manager Tulsi swarna lakshmi introducing EtP and Project 365 / Photography (C) Arnav Rastogi / Project 365 public photo archives
2nd day Project 365 projection / Photography (C) Arnav Rastogi / Project 365 public photo archives
2nd day Project 365 projection / Photography (C) Arnav Rastogi / Project 365 public photo archives

On 4th and 5th January 2015, Mukhamukham Meet project 365 Director Abul Kalam Azad and Photographer Thierry Cardon event was organised at Kalai Illam, Tiruvannamalai. Thierry Cardon, photographer from France has visited Tiruvannamalai as part of Project 365. He decided to share few of his original cyanatype prints with the Project 365 photographers and local audience. Abul showed his early work on the first day and on 5th Jan, he share his ongoing long-term work with the Thirunangai titled ‘War Marriage Widows’. Some of the locally based Thirunangai’s also enjoyed the photographs. Anbalaki, one of the Thirunangai spoke with the audience and narrated the Koovagam festival and associated epical history.

Project Manager Tulsi welcoming hte audience / Photography (C) Arnav Rastogi / Project 365 public photo archives
Project Manager Tulsi welcoming the audience / Photography (C) Arnav Rastogi / Project 365 public photo archives
Two photographers Thierry Cardon and Abul Kalam Azad / Photography (C) Arnav Rastogi / Project 365 public photo archives
Two photographers Thierry Cardon and Abul Kalam Azad / Photography (C) Arnav Rastogi / Project 365 public photo archives
Photographer Thierry Cardon showing his works / Photography (C) Arnav Rastogi / Project 365 public photo archives
Photographer Thierry Cardon showing his works / Photography (C) Arnav Rastogi / Project 365 public photo archives
Artist-sculptor Christian Uhlmann at the Kalai Illam / Photography (C) Arnav Rastogi / Project 365 public photo archives
Artist-sculptor Christian Uhllmann at the Kalai Illam / Photography (C) Arnav Rastogi / Project 365 public photo archives
Artists Chrisitian Uhlmann and Gayatri Gamuz / Photography (C) Arnav Rastogi / Project 365 public photo archives
Artists Christian Uhllmann and Gayatri Gamuz / Photography (C) Arnav Rastogi / Project 365 public photo archives
Photographer Thierry Cardon presenting his works / Photography (C) Arnav Rastogi / Project 365 public photo archives
Photographer Thierry Cardon presenting his works / Photography (C) Arnav Rastogi / Project 365 public photo archives
Artist-sculptor Chrisitian Uhlmann and Photographer Abul Kalam Azad / Photography (C) Arnav Rastogi / Project 365 public photo archives
Artist-sculptor Christian Uhllmann and Photographer Abul Kalam Azad / Photography (C) Arnav Rastogi / Project 365 public photo archives
Poet Ananda Surya and Artist - sculptor Christian Uhlmann /Photography (C) Arnav Rastogi / Project 365 public photo archives
Poet Ananda Surya and Artist – sculptor Christian Uhllmann /Photography (C) Arnav Rastogi / Project 365 public photo archives
Artist Wendel Field enjoying 'SEMA' / Photography (C) Arnav Rastogi / Project 365 public photo archives
Artist Wendel Field enjoying ‘SEMA’ / Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Poet Ananda Surya talking on Abul's works / Photography (C) Arnav Rastogi / Project 365 public photo archives
Poet Ananda Surya talking on Abul’s works / Photography (C) Arnav Rastogi / Project 365 public photo archives

<to be continued>

Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text by Tulsi Swarna Lakshmi  / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com/ FACEBOOK – Project 365