Project 365 Tiruvannamalai

Around the hill / Photography (C) Thierry Cardon / Project 365 public photo archive Tiruvannamalai
Around the hill / Photography (C) Thierry Cardon / Project 365 public photo archive Tiruvannamalai

 

Title: Around the Hill
Photographer: Thierry Cardon
Medium and format: 35mm analogue palladium print
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

Disclaimer

Project 365 Tiruvannamalai

Director's anecdote / Photography (C) Abul Kalam Azad / Project 365 public photo archive Tiruvannamalai
Director’s anecdote / Photography (C) Abul Kalam Azad / Project 365 public photo archive Tiruvannamalai

 

Title: Director’s anecdote
Photographer: Abul kalam azad
Medium and format: 35mm Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

Disclaimer

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

Title: 360degrees ecology of ancient Annamalai Hill
Photographer: Jiby Charles
Medium: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Project 365 Tiruvannamalai

EtP PROJECT 365 Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

Title: Making of an inclusive mountain
Photographer: Waswo X Waswo
Medium: Hand painted on digital archival print
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Title: Around the Hill
Photographer: Thierry Cardon
Medium: Analogue 120 film negative palladium print
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365                                                                                                Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Deepam, sociology and ecology (part one)

Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives
Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives

Jiby Charles, a photographer and graphic designer based in Bangalore has been creating visuals of the flora and fauna of Tiruvannamalai as part of Project 365. His interest also extends to the sociological dimension of Arunachala Hill… how the people of the land relate to the Hill and its ecology is an aspect he has been searching… the extent of people’s involvement in managing this ancient practice and how coordinated are the several thousand people in bringing ghee and other necessities for the festival… Even though Deepam is not Jiby’s direct concept, he has been attempting to bring out the connection between the people, the flora and fauna of this ancient town. More than being a mere witness to this grand festival, Jiby has become a part of the festival Jiby and Arnav started early in the morning, only to join the parivattam (a ceremony to respect t he ‘Nattar’ family who would be lighting the fire)… however, as the Nattar family was all set to climb up Arunahcala, Jiby and Arnav also joined them – they didnt get much time to neither have their breakfast, nor find proper shoes… they stopped a brief while, only to  buy a plastic bag to cover their cameras… the journey of four hours, climbing the steep hill barefoot.. mid-day sun didn’t fetter their passion !!! Deepam, the birth of Lord Murugan, the deity of Tamil language is celebrated by all as the festival of light… People from different caste, religion and belief play a role.. Nattars are traditional fishermen who light the lamp.. the Achary’s, the traditional wood carvers make the chariots…. the Chettiyars decorate the gods… Thousands of liters of pure ghee donated by people are carried uphill to lit the gigantic fire seen several kms around the Hill…

Jiby is hailing from a christian family… He has done his Bachelor Degree in Visual Communication from Hindusthan College of Arts & Science (Bharathiar University, Coimbatore). He currently lives in Bangalore. He is passionate about photography, design and traveling. Sharing few of his Deepam photographs.

Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives
Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives
Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives
Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives

Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives

Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives

Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives
Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives
Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives
Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives

Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives

Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives

Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives

Deepam 2014 / photography (C) Jiby Charles / Project 365 public photo archives

Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text by Tulsi Swarna Lakshmi / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com/ FACEBOOK – Project 365

The procession of saint poets

Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives

And, the saint poets and their gods are on the road… fully decorated in their various vahanas (vehicles)!!! Giving dharshan to the thousands of devotees and others… Many are touched by their own overwhelming bhakti, whilst others are moved by the sheer joy and faith of the devotees.. there are quite a few who would be silently enjoying the beauty of this artistic expression.. These priceless idols of our culture being shown to the public to look and experience is a celebration by in itself. Project 365 photographers have also been swept away by the festive mood of this ancient town… halogen lights and oil lamps warms up the chilled nights and the team gets ready for their ever fresh encounters…. Most of the photographers are using their smart phone to document this extensively documented festival. “Intimacy is the key”, said Abul Kalam Azad. “We are not mere witness to this festival, but we are part and parcel of the whole celebration. The smart phone makes it necessary for the photographer to be very close with their subject… it means a dialogue, a smile, a hug, a word or any form of exchange is a prerequisite to the photograph itself”, He added. Leading project 365 photographer Dinesh Khanna was supposed to lead the Deepam documentation. However, due to the sudden demise of his beloved mother, he is unable to join the team now. So, Abul is continuing to lead the team. He said,, “Amidst this overflowing mood of celebration, we have received this sad news from Dinesh… Let us salute and respect this loving mother and thank her for gifting this wonderful photographer to our world.”

The online feed of Deepam festival is also made in Project 365 page facebook page and instagram feed #etpproject365

Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Periyapuranam chanting / Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Drumming / Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Manikandan, the sarathi of silver chariot / Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
The procession / Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
The women trumpeter of Sri Thirunavukarasar band / Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Panneer Selvam / Project 365 Public Photo Archives
Photography (C) Panneer Selvam / Project 365 Public Photo Archives

As the temple and its surrounding bubbles with the festival, there are many a preparation that had underway to ensure the peaceful proceedings.

Photography (C) Arnav Rastogi / Project 365 Public Photo Archives
Photography (C) Arnav Rastogi / Project 365 Public Photo Archives
Photography (C) Arnav Rastogi / Project 365 Public Photo Archives
Photography (C) Arnav Rastogi / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives

And the tireless work of the police department….

Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives

And the most awaited “Mattu Chanda”. Last year the absence of the mattu chanda (cow market) was very much felt and the upcoming mattu chanda is expected by the spectators and buyers alike… our neighborhood bulls getting ready for the chanda…

Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives
Photography (C) Abul Kalam Azad / Project 365 Public Photo Archives

For more deepam photographs check #etpproject365 and #deepam

Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text by Tulsi Swarna Lakshmi  / EtP. Profile by Ami Jangal / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com/ FACEBOOK – Project 365

 

Director’s Anecdote II

Agni

Photography (C) Abul Kalam Azad / Project 365 PUBLIC archives / 2014
Photography (C) Abul Kalam Azad / Project 365 PUBLIC archives / 2014

The word agni is the Sanskrit word for fire and light. Agni is called as Thee in Tamil. Agni occupies a prominent place in the Vedas and vedic Brahmanas works as a Hindu and Vedic deity. The ancient Indians recognized it as the power of heat and light and the will-power united with wisdom, they knew the human will-power to be a feeble projection of this power which they believed could be strengthened by the Rig Vedic chants to Agni. The Vedic people developed the worship of Agni, personified and deified Agni as the sacrificial fire, the priest of the gods and the god of the priests, who through yajna carries the oblations to the gods, the celestial controllers of the mysterious and potent forces of nature, to ensure the continuance of conditions favourable to mankind.  In Vedic deities Agni occupies, after Indra, the most important position. He is ever-young, because the fire is re-lit every day, yet he is also immortal.

Agni is the first word of the first hymn of the Rigveda (Sukta I.i.1) revealed to Rishi Madhuchchandah Vaishvamitah in Gayatri metre. The Rig Veda begins with a prayer to Agni, the receiver, holder and distributor of energy, who leads the devtas to victory in their battles against the asuras, and confers wealth of various kinds to the performers of yajnas. According to Agni Purana, which is the eighth in the list of eighteen Puranas, no god is approachable without the medium of Agni, and no divinity is without the presence of Agni; his element is earth. At the command of Bhirgu, Agni was brought down from the heavens for man’s use by Matarishvan in the later writings Agni is described as a son of Angiras who happened to discover fire and its uses. Agni as the immortal guest is the witness of all actions, supremely powerful, all consuming and irresistible but who commands all earthly and heavenly riches i.e. all temporal good. As the most potent and visible form of energy, useful but destructive at the same time, fire was both revered and at the same time feared by the Vedic people. Cow’s milk and its derivatives such as ghee (clarified butter) are integral parts of Vedic fire sacrifices, which are conducted by Brahmin priests; That’s why the Vedic priests who are the keepers of fire worshiped the cow that provide ghee to feed the fire.

Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text research Tulsi Swarna Lakshmi / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com / FACEBOOK – Project 365

 

Metaphors of a transcending dream…

“I like to photograph my dreams”

Trust in dreams, for in them is the hidden gate to eternity, said Kahlil Gibran. But, for Shiv Kiran, one of the Project 365 photographers, dreams are the gateway to photographs. “My dreams combine verbal, visual and emotional stimuli into a non-sensical but entertaining story line. I do not understand the purpose of my dreams, but intentions to document it have always been there, be it the series ‘Son of Sea’ or ‘Red Man’…. I like to photograph my dreams. To me, photography is not just a medium of communication. It is a medium through which we can create a world, a world that we all know can never exist”.

Project 365 photographer Shiv Kiran
Project 365 photographer Shiv Kiran

Shiv is originally from Yellamanchali, Andhra Pradesh. The beauty of Ladakh has moved many, and a few ordinary people have been reborn as photographers there. Shiv Kiran’s journey is one such story. While he was pursuing his masters in Computers, he began with shooting on campus, at college fests and then worked with Rahul Lal and Rohit Lal as a concert photographer. But it was that one trip to Ladakh that changed everything for him. There was another turning point in his life when Shiv delved deeper into the subject, when he learnt the History of Photography, studied the masters, their lives and what photography was all about in reality. He looked at the world differently and started shooting what he truly believed in. After he assisted renowned photojournalist Prashanth Vishwanathan on assignments on wheat harvesting in Jalandar and another series called ‘Cancer Express’, (Bhatinda village) he started to enjoy documentary photography and began to work on interesting stories. He is fascinated by surrealism, and enjoys making pictures that does not necessarily have a meaning, but more a feeling. Shiv has exhibited his work at the International Photo Festival, Ahmedabad, 2011. He also did an exhibition with Arnav Rastogi in Kuzart Lane, HauzKhas Village, Delhi, in 2012. His concept of ‘Son of Sea’ – a series that he worked on, has been largely appreciated. He is also a part of Fseven Photographers, a collective of professional photographers. He is working on a project titled “Deeper in Transit” as part of Project 365, Tiruvannamalai.

“Some dreams are very difficult to talk about, as something that happens does not relate to reality at all, simply triggered through our sub-conscious way of thinking. And some are triggered through our experiences in the real world or the conscious state. Deeper in transit is one such journey, where my dreams travel through the light and darkness, whatever that means…”, he adds.

"Deeper in Transit" / Image (C) Shiv Kiran / Project 365 PUBLIC archives
“Deeper in Transit” / Image (C) Shiv Kiran / Project 365 PUBLIC archives

This church was one such journey for Shiv. It had started from his dream. Leo James, one of the Project 365 photographer who is documenting the presence of Christianity in Tiruvannamalai shared this image. This was once a place of worship now abandoned and used by drug addicts. Inside this holy place we can find alcohol bottles and pack of cards spread all over. To Shiv, this conveys a different meaning altogether. He said, “In this place (Tiruvannamalai) of lord Shiva, who says transformation is part of life and the story of this abandoned church is surely one such transformation”.

Shiv’s quest is philosophical and attempts at creating visual anecdotes of his dream(s). “I do not have lucid dreams unfortunately and so I cannot say what next. But it progresses, sometimes the transitions make sense and sometimes it is complete non-sense. That is how dreams are supposed to be, I think. The inception of this series was with another visual, which was clicked later. I was in search of a water body near to hill. I had sleepless nights because it was there every-night and I had to find it. It was during Ganesh visarjan we found the water body. But only while I was going through the photographs I noticed I found the hill exactly similar to my dream.

"Deeper in Transit" / Image (C) Shiv Kiran / Project 365 PUBLIC archives
“Deeper in Transit” / Image (C) Shiv Kiran / Project 365 PUBLIC archives

The hill represents God Shiva himself and the boat is the faith we are sailing upon. We all are in search of Moksha after all and most of us do not know which is the right boat to sail on….”

(to be continued…)

Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis and the cauvery basin culture and lifestyle.”

Disclaimer:

Disclaimer: Image (C) Shiv Kiran / Project 365 PUBLIC archives.

All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Profile of Shiv Kiran by Ami Gupta / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com / FACEBOOK – Project 365

Inner and outer path, a 360degrees perambulation of the Hill

By seeing Chidambaram, by being born in Tiruvarur, by dying in Kasi, or by merely thinking of Arunachala, one will surely attain Liberation.” – Arunachala Mahatmyam

Arunachala refers to the holy hill at Tiruvannamalai in Tamil Nadu. The hill is also known by the names Arunagiri, Annamalai Hill, Arunachalam, Arunai, Sonagiri and Sonachalam. Tiruvannamalai is revered as ‘Agni Sthala’ (Fire), one of the five elements described in shaivite philosophy. The Annamalaiyar Temple dedicated to Lord Shiva is located at the base of the hill. Every year in the Tamil month of Karthigai (October–November), the Karthigai Deepam (Light) is lit atop the hill. The circumambulation of Arunachala Hill is known as Giri Pradakshina in Sanskrit and Giri Valam in Tamil. Every full moon, several thousand pilgrims perambulate around the Hill.  The pilgrims usually walk bare feet, chanting hymns and mantras dedicated to the holy Hill.

Inner path / Image (C) Abul Kalam Azad / Image courtesy Project 365 PUBLIC archives
Inner path / Image (C) Abul Kalam Azad / Image courtesy Project 365 PUBLIC archives
Inner path / Image (C) Abul Kalam Azad / Image courtesy Project 365 PUBLIC archives
Inner path / Image (C) Abul Kalam Azad / Image courtesy Project 365 PUBLIC archives
Inner path / Image (C) Abul Kalam Azad / Image courtesy Project 365 PUBLIC archives
Inner path / Image (C) Abul Kalam Azad / Image courtesy Project 365 PUBLIC archives

The 14km perambulation has two different paths. One is the commonly known ‘outer path’ and not so common ‘inner path’. The inner path is belongs to the Protected Area of the State Forest Department. The Life in outer path is versatile and alive with many pilgrims walking and chanting. The well made road and pavements are often crowded with different shops that serve the circumnavigating pilgrims. This path is vibrant with life and activities. The life in inner path is totally different. In reality, the inner path is an abode to the Sadhus of Tiruvannamalai. The perennial ponds, the lone trails, the animals, unique plants and serene silence adorn the protected inner path.

Project 365 photographer Maveeran Somasundaram
Project 365 photographer Maveeran Somasundaram

Maveeran Somasundram, Project 365 photographer will be documenting the life in inner and outer path. Maveeran is born in a village called Thiruthuraipoondi, Thiruvarur Ditrict, Tamil Nadu. He started exploring photography when he was very young. He has completed his MBA. He is currently based in Chennai.

Outer path / Image (C) Maveeran Somasundaram / Image courtesy Project 365 PUBLIC archives
Outer path / Image (C) Maveeran Somasundaram / Image courtesy Project 365 PUBLIC archives
Outer path / Image (C) Maveeran Somasundaram / Image courtesy Project 365 PUBLIC archives
Outer path / Image (C) Maveeran Somasundaram / Image courtesy Project 365 PUBLIC archives
Outer path / Image (C) Maveeran Somasundaram / Image courtesy Project 365 PUBLIC archives
Outer path / Image (C) Maveeran Somasundaram / Image courtesy Project 365 PUBLIC archives
Outer path / Image (C) Maveeran Somasundaram / Image courtesy Project 365 PUBLIC archives
Outer path / Image (C) Maveeran Somasundaram / Image courtesy Project 365 PUBLIC archives

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Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis and the cauvery basin culture and lifestyle.”

Disclaimer:

All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com / FACEBOOK – Project 365