Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

Title: 365days myopic view
Photographer: Abul Kalam Azad
Medium and format: Smart phone
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

Title: 360degrees ecology of ancient Annamalai Hill
Photographer: Jiby Charles
Medium: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Title: Children of different gods
Photographer: Ami Gupta
Medium: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Title: Folklore practitioners and indigenous herbs
Photographer: Pee Vee
Medium and format: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Deepam, the festival of light

Karthikai Deepam, festival of lights is one of the oldest festivals celebrated by Tamil people. Deepam is observed in every home and every temple, and falls in the month of Kārttikai (mid-November to mid-December) as per Tamil Calender. This occurs on the day when the moon is in conjunction with the constellation Karthigai (Pleiades) and pournami (full moon). This constellation appears as a group of six stars in the firmament in the shape of a pendant from the ear. Many legends and lyrical poetry have grown round this star. The six stars are considered in Indian mythology as the six celestial nymphs who reared the six babies in the saravana tank which later were joined together to form the six faced Muruga. He is therefore called Karthikeya, the one brought up by the Karthigai nymphs. Houses and streets are lit up with rows of oil lamps (Deepam) in the evening of the festival day. One of the earliest references to the festival is found in the Ahananuru, a book of poems, which dates back to the Sangam Age (200 B.C. to 300 A.D.). The Ahananuru clearly states that Karthigai is celebrated on the full moon day (pournami) of the month of Karthigai, as per South Indian calendar. It was one of the most important festivals (peruvizha) of the ancient Tamils, including now the areas of modern Kerala too. Avaiyyar, the renowned poetess of those times, refers to the festival in her songs. Karthigai festival in Tiruvannamalai is very famous. On Karthigai day, a huge fire lamp is lit up on the hill, visible for several kilometers around. The fire (deepam) is called Mahadeepam.

This ancient Dravidian practice has been documented extensively in verse and visuals. The gods and goddesses, the rituals and chariots, the crowd and girivalam, every aspect of this festival has already been documented. Team 365 has another important vision, to preserve the visuals of the changing culture and lifestyle. Many may have noticed the ever changing scenario every deepam, the absence of the Mattu chanda (cow market), the advent of machine made drinks / coffees, ever growing new buildings and shops…. the visually exciting days and nights of Tiruvannamalai Deepam festival has a different dimension to be portrayed. Photography in essence is a play between light and shade (absence of light). This deep connection, the changing people, scenario and the colors of Deepam is what team 365 decided to capture. The team would be per-dominantly using iphone photography with instagram applications. Few photographs from the instagram Deepam series:

Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Abul Kalam Azad / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Jiby Charles / Project 365 public photo archives
Photography (C) Jiby Charles / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Shiv Kiran / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Jiby Charles / Project 365 public photo archives
Photography (C) Jiby Charles / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Bhagyashri Patki / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Arnav Rastogi / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives
Photography (C) Biju Ibrahim / Project 365 public photo archives

roject 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text by Tulsi Swarna Lakshmi  / EtP. Profile by Ami Jangal / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com/ FACEBOOK – Project 365

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Ganesh Chaturthi / Birthday of Ganesh 2014

Ganesha Chaturthi  is the Hindu festival celebrated in honour of the Indian mythical god Ganesh (also called as Ganapathy, Pillayar, Vinayakar etc.,), the elephant-headed, the son of Parvati and Shiva, remover of obstacles and the god of beginnings and wisdom. The festival, also known as Vinayaka Chaturthi, is observed in the moon Calender month of Bhaadrapada starting on the shukla chaturthi  (fourth day of the waxing moon period). The date usually falls between 19 August and 20 September. The festival lasts for 10 days, ending on Anant Chaturdashi (fourteenth day of the waxing moon period).

Project 365 Director Abul Kalam Azad and photographers Arnav Rastogi, Bhagyashri Patki, Leo James and Shiv Kiran have been documenting the happenings of this important South Indian Festival ‘Ganapathi Chaturthi 2014’ in Tiruvannamalai.

DAY ONE

The festival mood was felt even before a week. On the first day, many traditional clay artisans had created temporary stalls around the town, with huge lumps of clay, Ganesha moulds and PoP (Plaster of Paris).

Ganesh Chaturthi Day 1 / Image © Leo James
Ganesh Chaturthi  / Image © Leo James 2014
Ganesh Chaturthi Day 1 / Image © Leo James
Ganesh Chaturthi  / Image © Leo James 2014

Ganesh Chaturthi Day 1 / Image © Leo James

Ganesh Chaturthi  / Image © Leo James 2014

Ganesh Chaturthi  / Image © Abul Kalam Azad
Ganesh Chaturthi / Image © Abul Kalam Azad 2014

The huge Ganapathi sculptures were carried from one place to another using different vehicles – jeep, bullock carts, motor bikes etc., Almost every street had  images of Ganesha installed and decorated in public pandals (temporary shrines).

VinayakaGanesh Chaturthi Day 1 / Image © Leo Jamesr Chathurthi Day 1 / Instagram Image © Leo James
Ganesh Chaturthi  / Image © Leo James 2014
Ganesh Chaturthi Day 1 / Image © Abul Kalam Azad
Ganesh Chaturthi  / Image © Abul Kalam Azad 2014

The market was flooded with fruits and flowers to be offered to Lord Ganesha. Special umbrellas and decoration items made the local market colorful.

Ganesh Chaturthi  / Image © Abul Kalam Azad
Ganesh Chaturthi / Image © Abul Kalam Azad 2014
Vinayakar Chaturthi / Image (C) Leo James
Vinayakar Chaturthi / Image (C) Leo James 2014

In homes, pillayar idols are decorated with Bermuda grass known as arukampul (அருகம்புல் )and Modak, ladoo and other dishes are offered. The favorite food items of Vinayakar, including aval (rice flakes), pori (pop rice), kadalai (roasted chickpea) are distributed to the neighborhood families as part of the celebration.

Ganesh Chaturthi  / Image © Abul Kalam Azad
Ganesh Chaturthi / Image © Abul Kalam Azad 2014

ORIGIN

Though the actual origin of the festival is unknown, according to the legend, the festival marks the auspicious day of the birth of Lord Ganesha. The story goes as follows- Lord Shiva, the Hindu God of resolution, was away from Kailash due to some work. As Parvati was alone at home, she felt the necessity of some one to guard the door to her house while she took bath. When she did not get any one, she conceived of the idea of creating a son who could guard her. She then created Ganesha out of her sandalwood paste and breathed life into the idol. She then asked him to stand on the gate and do not let any body enter until she came out. Unfortunately, Shiva returned home in the meantime. As, Ganesha did recognize him, he stopped Shiva from entering as per his mother’s advice. This badly enraged Lord Shiva, who cut off Ganesha’s head by his trident. When Parvati saw beheaded Ganesha, took on the form of the Goddess Kali and threatened to destruct all the three worlds. The earth, the heaven, the nether world, all was shaken and every body ran to Shiva for solution. In order to appease Lord Parvati and save the world from destruction, Lord Shiva sent out his followers to find a child whose mother is facing another direction in negligence, cut off his head and bring it quickly. The first such child that came in the eyes of the Shiva followers was an elephant, so they brought the head of this elephant and Shiva placed it on the trunk of Parvati’s son and gave life into him. Parvati was the overwhelmed with happiness and embraced her son. They named her Ganesha i.e the Lord of all Ganas (followers).

Ganesh Chaturthi  / Image © Abul Kalam Azad
Ganesh Chaturthi / Image © Abul Kalam Azad 2014

The festival is celebrated as a public event since the days of Shivaji 1630–1680). However, the present kind of celebrations of Ganesha Chaturthi came in fashion in 1893, Lokmanya Tilak, an Indian freedom fighter and social reformer reshaped the annual Ganesh festival from a private family celebration into a community event. The day was conceived to be the National Festival in order to bridge the gap between the Brahmins and the non-Brahmins in the society. Tilak chose this festival for this purpose because Lord Ganesh was considered to be the ‘ God of Every man’. It then served as a meeting ground for people of all community and religion on a public platform. Since then the festival has served its cause of existence. Even now people irrespective of caste and community barriers celebrate this festival with great joy.

DAY TWO

During the second day, the eyes of the Ganesh are opened and it is believed that Ganesha shower his blessing upon the world on this auspicious day. Poojas are conducted at home as well to commemorate the birth of Ganesha.

Vinayakar Chathurthi Day 1 / Instagram Image © Arnav Rastogi
Vinayakar Chathurthi Day 1 / Image © Arnav Rastogi 2014
Vinayakar Chathurthi Day 1 / Instagram Image © Leo James
Vinayakar Chathurthi / Instagram Image © Leo James 2014

LORD GANESHA – “THE MYTHICAL CHILD OF EVERYBODY”

Vinayakar Chaturthi / Instagram Image (C) Bhagyashri Patki
Vinayakar Chaturthi / Image (C) Bhagyashri Patki 2014

Sculptures of Ganesh has been created all over the world and probably is one of the most common art form. Off late Ganesha comes in different shapes and forms. Children enjoy and fancy this “god of all” and their enjoyment known no bound. They often spend their time around the installed pandals and prefer sleeping outside guarding their ‘Pillai Yar’.

Vinayakar Chaturthi / Instagram Image (C) Leo James
Vinayakar Chaturthi / Image (C) Leo James 2014

DAY THREE

The third day, the Vinayakar idols were taken in a procession to nearby lakes and water bodies. Most of the idols are taken to the Lotus pond where it immersed, whilst the gathered chant ganesha hymns.

Vinayakar Chaturthi / Instagram Image (C) Bhagyashri Patki
Vinayakar Chaturthi / Image (C) Bhagyashri Patki
Vinayakar Chaturth / Instagram image (C) Bhagyshri Patki
Vinayakar Chaturthi / Image (C) Bhagyashri Patki 2014
Vinayakar Chaturthi / Image (C) Leo James
Vinayakar Chaturthi / Image (C) Leo James 2014
Vinayakar Chaturthi / Image (C) Leo James
Vinayakar Chaturthi / Image (C) Leo James 2014
Vinayakar Chaturthi / Image (C) Leo James
Vinayakar Chaturthi / Image (C) Leo James 2014
Vinayakar Chaturthi / Image (C) Shiv Kiran
Vinayakar Chaturthi / Image (C) Arnav Rastogi 2014

The ancient practice in contemporary times

Originally Ganesh idols were made of clay and worshipped with different variety of herbal leaves, plants and immersed at the end of the festival in a water (lake) along with the Idol. The herbal and medicated plants, leaves and the clay would purify the lake water. Those times, people used to drink lake water, and to protect people from infections and viral diseases especially in this season, this tradition was introduced. Since the festival is celebrated as a public event since the days of Shivaji, (1630–1680), the popularity of the festival became very high and clay idols became unaffordable due to the huge demand. The use of PoP became the practice which is not at all an environment friendly approach. The original purpose is somehow thwarted.

Vinayakar Chaturthi / Image (C) Arnav Rastogi
Vinayakar Chaturthi / Image (C) Arnav Rastogi 2014
Vinayakar Chaturthi / Instagram Image (C) Bhagyashri Patki
Vinayakar Chaturthi / Image (C) Bhagyashri Patki 2014
Vinayakar Chaturthi / Image (C) Shiv Kiran 2014
Vinayakar Chaturthi / Image (C) Shiv Kiran 2014
Vinayakar Chaturthi / Image (C) Arnav Rastogi
Vinayakar Chaturthi / Image (C) Arnav Rastogi 2014

After the ceremony and immersion of the idols, a separate team of volunteers strive to clean the pond, collect the left over bamboos and temporary structures.

Vinayakar Chaturthi / Image (C) Leo James 2014
Vinayakar Chaturthi / Image (C) Leo James 2014
Vinayakar Chaturthi / Image (C) Shiv Kiran 2014
Vinayakar Chaturthi / Image (C) Shiv Kiran 2014

Kannan, a local person is coming out of the now PoP filled dirty ‘Lotus pond’ where Idols of Ganesh were immersed, no longer a source of drinking water. The joy and celebration of the ancient practice is much welcome, however, the incredible original vision of purifying and valuing our water bodies has taken its own course. In contemporary times, one is left with the responsibility to re-define these practices in the current context to create a harmonious Earth for our future generation.

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