Close encounters: 365days myopic view

{ Essay on photography by Arjun Ramachandran, a media student with interests in cinema and photography. 365 days myopic is a smart phone photographic series done by photographer Abul Kalam Azad, as a contribution to Project 365 public photo archive Tiruvannamalai. In this unique, expansive body of work Abul records the everyday life in the ancient town, Tiruvannamalai. Abul is the Director of Project 365, and co-founder of Ekalokam Trust for Photography.}

Since the advent of digital technology and its fast growth, we have been carelessly misplacing or erasing much of the images we produce, “safely” storing them in the long forgotten floppy discs, CD drives, USB drives, old mobile phones, cameras etc. Photography, which is essentially a print, has been stripped of its traditional alchemical quality and longevity, and has almost completely become mere virtual intangible images. While this digitization has undoubtedly democratised the medium and stretched the horizons of thought of its practitioners, the danger is, in an instant, the innumerable casual-yet-valuable images that are being made can be lost forever to our future generations.

Digital recording is, largely, mere magnetisation of a material or optical marks made on a surface. The unwanted and untrue connotation that the word “digital” has acquired is that it is only presentable on a screen; “digital” only really means quantised, non-continuous data. On the basis of this misunderstanding, we have been storing digital images for the purpose of virtual viewing alone and by nature, digital recording is much more vulnerable to damage compared to analogue (read continuous) recording. A stray magnetic field is enough to wipe out a hard disk.

Even though several thousand photographs are being taken every day, by nearly everyone, only a very few provide thoughtful and focused efforts to preserve these photographs like yesteryear epigraphical documentation or other iconographic motifs for the benefit of future generations. This is as much an effect of seeming unnecessity and non-viability as it is of gross negligence. Documents are only valuable for those who see a use for it many years down the line, and not for those who do not intend to pay a second thought to the matter. Smart phone photographs, therefore, seem trivial and replicable for the majority of the authors and as such, irrelevant. These photographs may not be printable in larger formats, may not be commercially viable, but in an archive, they serve well the intended purpose – a visual document of ordinary people and their everyday life in an ancient town.


Abul Kalam Azad has been making smart phone photographs as connecting anecdotes for project 365. He has created several hundred lo-fi images depicting the life and culture of this ancient town, recording routine or chance meetings, casual events or details of his own daily life. Project 365 public photo archives will be locally preserving these images for public access and research. Setting aside his expertise in analogue & experimental photographic works and after traversing through digital, painted, manipulated images, Abul has consciously shifted to smart phone image making in a bid to utilise its nuances.


Smart phone images readily seem to bring in an element of autobiography. The daily events are most often captured through them, almost always in a moment of subconscious composition and judgement. There is a lack of formality or any veil of pretention that a bulky professional camera might induce even though the pretentions and mannerisms of the “real world” remain intact, as the smart phone remains nearly invisible between the subject and the artist. Even in staged portraits captured on smart phones, the posture of the subject becomes much freer. The smart phone becomes something of a non-intervening observer, not affecting the system at all.

The myopic eye of smart phone demands that the photographer has to be within a certain “intimate” distance to take a photograph. There has to be a certain connection between the one who is being photographed and the photographer himself – using a smart phone to create portraits of people means that the photographer is not a mere witness; the one who is photographed often looks straight into the camera and thus, at the photographer. A reflection of the effect of eye contact between the photographer and the subject is captured in the portrait.


This presence of intimacy is what a spectator relates to in these images. As personal spaces become increasingly reserved and physical contact becomes restricted in a wave of conservative urban-elite influence, this welcome intrusion of a nonprofessional-appearing, smart-phone-wielding photographer into touching distances of the subject is a reminder of the extent of simplicity and freedom in human relationships.

Disclaimer: Photographs and text published in this post is copyrighted property of the author. Prior permission is required from the author for republishing and reprinting. For more information, contact Ekalokam Trust for Photography at admin@etpindia.org

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

Title: Colors of Tiruvannamalai
Photographer: Dinesh Khanna
Medium and format: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

Title: 360degrees ecology of ancient Annamalai Hill
Photographer: Jiby Charles
Medium: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Title: Children of different gods
Photographer: Ami Gupta
Medium: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Title: Folklore practitioners and indigenous herbs
Photographer: Pee Vee
Medium and format: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai

EtP PROJECT 365 Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

Title: Making of an inclusive mountain
Photographer: Waswo X Waswo
Medium: Hand painted on digital archival print
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified Dravidian society of ancient Tamilakam, a region comprising modern Tamil Nadu, Kerala, Karnataka, Andhra Pradesh and Puducherry.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

Project 365 Tiruvannamalai

D'note from the PROJECT 365

Title: Deepam
Photographer: Biju Ibrahim
Medium: Digital
Year: 2014 / 2015
Courtesy: EtP Project 365 public photo archive

EtP PROJECT 365 is a public photo-art project that collectively creates and preserves photographic visual of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town. All images published in this page is a copyrighted property of the author and is part of EtP Project 365 public photo archive. Prior permission is required for commercial and other public use.

இ. டி. பி. ப்ராஜெக்ட் 365
அதி வேகமாய் மாறி வருகின்ற நவீன தமிழ்நாடு, கேரளம், புதுச்சேரி, கர்நாடக மற்றும் ஆந்திர மாநிலங்களை உள்ளடக்கிய பண்டைத் தமிழகத்தின் சமகால வாழ்வுமுறையையும், கலாச்சாரத்தையும், பன்முகத்தன்மை வாய்ந்த திராவிட சமூகத்தையும் புகைப்பட பதிவுகளாக பாதுகாக்கும் ஒரு பொதுமை புகைப்படக்கலை திட்டமே ப்ராஜெக்ட் 365.

EtP പ്രൊജക്റ്റ് 365
അതിവേഗം മാറ്റങ്ങൾക്ക് വിധേയമായിക്കൊണ്ടിരിക്കുന്ന ആധുനിക കേരളം, തമിഴ് നാട്, കർണാടകം, പുതുച്ചേരി, ആന്ധ്രയുടെ ചില ഭാഗങ്ങൾ എന്നിവ ഉൾപെടുന്ന സംഘകാല തമിഴകം പ്രദേശത്തിലെ സമകാലിക ജീവിതരീതികളും നിലനില്കുന്ന സംസ്കാരവും വൈവിധ്യമുള്ള ദ്രാവിഡവേരുകളുള്ള സമൂഹവും കേന്ദ്രീകരിച്ച്‌ ഫോട്ടോ ദൃശ്യഭിംഭങ്ങൾ സൃഷ്ടിക്കാൻ ശ്രമിക്കുന്ന ഒരു പൊതു സാംസ്‌കാരിക കൂട്ടായ്മയാണ് പ്രൊജക്റ്റ്‌ 365.

For more information contact EtP at project365@etpindia.org / http://www.etpindia.org

Collectively creating and preserving photographic visuals of the fast vanishing landscape, divergent customs, pluralistic culture and diversified lifestyle of an ancient Tamil town.

‘The colors of Deepam’ by leading Project 365 photographer Dinesh Khanna

Karthigai festival in Tiruvannamalai hills is very famous. On Karthigai day, a huge fire lamp is lit up on the hill, visible for several kilometers around the hill. The fire (dheepam) is called Mahadeepam. As part of Project 365, Photographer Dinesh Khanna will be creating visuals of Tiruvannamalai Deepam Festival. A five member team, comprising of Project 365 photographers Arnav Rastogi, Bhagyashri Patki, Biju Ibrahim, Leo James and Shiv Kiran will be working with Dinesh Khanna and document the Deepam Festival.

Photographer Dinesh Khanna
Photographer Dinesh Khanna

Dinesh Khanna is one of the leading photographers of Project 365. He is based in Delhi. There are infinite ways of seeing. But when you see the world through Dinesh Khanna’s eyes, you are overcome with an innate sense of awe, besides many other emotions. The reason perhaps is the fact that he shoots from the heart. And it’s his incredible way of juxtaposing what he sees and what he feels that creates images that stay with you forever.

Even though his father was a professional photographer, Dinesh took his time to meander through his advertising career and eventually gave in to his true calling. His dad often urged him to use the camera, travel more often and take pictures of whatever he found interesting. He even grew up learning to make his own prints in the darkroom they had at home. But the rebel in him chose not to follow the conventional ‘son-takes-over-from-father’ routine simply because he felt it was against his principles to adhere to what the caste system followed, something he strongly did not believe in.

However, photography was not just in his blood, it was the one great love and passion of life he could no longer ignore. At first, Dinesh took up a lot of commercial work, which displayed his immense talent and creativity. Gradually, he began traveling more, exploring more, photographing everything that ‘engaged’ him and in the process, enjoying every moment of what he was doing. From Street photography, to portraits to interiors of homes and hotels, travel pictures, photo stories, editorial and food photography, Dinesh’s work spans a varied mix, with many a common aspect… a love for life, a love for colours and a love for people being a few.

His photographs radiate a powerful and positive resonance which is why we want to stop and stare. Not just to admire the sheer beauty of the image, but also to appreciate seeing things the way he sees them. It’s what you call ‘insight’ in advertising terms. For example his iphoto series on ‘kissakhursika’, is a series on chairs. A simple everyday object that we may not even give a second glance to. But the way Dinesh has interpreted this very khursi, as he takes us on a visual journey portraying the significance of the chairs common people sit on (be it watchmen or barbers or children) and the ironic symbolism of a ‘khursi’ in the political context is so basic yet so bold and captivating.

Dinesh’s ‘Incredible India’ series that was created to celebrate the 350th anniversary of the Taj Mahal earned him much fame. So did his solo exhibitions and pictorial books ‘Bazaar’ and ‘Living Faith’ which were born from his many travels and beautifully captured images from various melas, markets and sacred sites in small towns and rural areas.

His works also include stunning portraits of “Artists, Musicians, and Writers” “Mothers & Daughters” and a series on common man at work called “Earning Dignity” which all capture expressions and emotions in a stark yet subtle manner. His photos have also been published in monthly columns like ‘Double Take’ and ‘Urban Trivia’ for First City magazine, which display India’s ironic ‘Tryst with Urbanity’ and also ‘Cellphone Diaries’ for Better Photography.

Dinesh is also the co-founder and managing trustee of the Nazar Foundation in Delhi, a non profit trust that promotes the art of photography through various workshops, interactions and exhibitions. Doing this is his way of sharing his passion with budding and even experienced photographers. This organization also sponsors the biennial ‘Delhi Photo Festival’ which is an incredible platform for photographers to showcase their works.

Dinesh Khanna has displayed his work at several solo and group exhibitions, nationally and internationally at The Habitat Center, India International Center, Palette Gallery, Vadehra Gallery, New Delhi, Oxford Gallery, Kolkata, NCPA, Mumbai, Sundaram Tagore Gallery, New York, The Asia Society, San Francisco, Mondavi Center, UCLA, Los Angeles, Whitechapel Gallery, London and at FotomuseumSwitzerland.
A few of his photographs were also recently featured in an exhibition of paintings titled Soul of Asia Art – an exhibition curated by Sushma Bahl as part of the 44th International Film Festival of India, Goa, 2013.

Based in New Delhi, Dinesh is currently working on his next pictorial book ‘Benaras: Everyday in Eternity’ apart from various other assignments. Whether he is taking pictures of martinis, majestic hotel suites, of a teenager on a terrace or bangles in a bazaar, his work exudes emotions that every viewer can relate to at a very simple level. And we look forward to more.

Dinesh will be reaching Tiruvannamalai on 30th November 2014. During his stay, he will also be presenting his works with our rural audience (the dates will be announced at a later stage). Thank you Dinesh Khanna, for being part of project 365 and visiting this ancient town.

WELCOME.

Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text by Tulsi Swarna Lakshmi Nadar / EtP. Profile by Ami Jangal / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com/ FACEBOOK – Project 365

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MUKHAMUKHAM – Thrissur

“I already like the town”, said Project 365 photographer Shiv Kiran, as soon as we stepped down from the train. The other team members Arnav Rastogi and Bhagyashri Patki nodded their heads in affirmation. It was as if all the tiredness of the long journey from Tiruvannamalai to Thrissur had vanished by the mere sight of this ancient town. The following day 12th November 2014, Project 365 presentation was to be held at Government Fine arts college, Thrissur. This event is all the more important for EtP, as the next phase of the project 365 is planned to documenting Muziris, the ancient seaport and urban center that existed from around 1st century AD.

Thrissur Government Fine Arts College / Photography (C) Arnav Rastogi
Thrissur Government Fine Arts College / Photography (C) Arnav Rastogi

Thrissur, popularly known as the Cultural Capital of Kerala has many other important facades. Synonymous with the world famous and spectacular Pooram Festival, Thrissur is the abode of several prominent cultural centres including the Kerala Kalamandalam, Sahitya Academy and Sangeetha Nataka Academy. Thrissur has an extraordinarily rich past as well as a vibrant present. From ancient times, this district with its cultural heritage and archaeological wealth has played a significant role in the political history of South India. Many rulers and dynasties beginning with the Zamorins of Kozhikode, Tipu Sultan of Mysore and Europeans including the Dutch and the British have had a hand in moulding the destiny of this region. Raja Rama Varma popularly known as Sakthan Thampuran is the architect of the present Thrissur town. Thrissur has a large number of well-known temples including the Vadakkumnathan temple, Thiruvambadi Sri Krishna temple and Paramekkavu temple, as well as two famous churches, the Our Lady of Lourdes Syro-Malabar Catholic Metropolitan Cathedral and Our Lady of Dolours Syro-Malabar Catholic Basilica.

Photography (C) Arnav Rastogi
Vadakumnathan temple / Photography (C) Arnav Rastogi

We checked into YMCA where our stay had been organised by the college. The other two project 365 photographers Biju Ibrahim and Iqbal MK were to join us the next day (12th November). Project 365 Director Photographer Abul Kalam Azad had given us interesting places to visit in Thrissur and the Vadakumnathan topped the list. So we decided to go there. What was inside took our breath away. This temple is a classic example of the architectural style of Kerala and has monumental towers on all four sides and also a Kuttambalam. Mural paintings depicting various episodes from Mahabharata can be seen inside the temple. The shrines and the Kuttambalam display vignettes carved in wood. The temple, along with the mural paintings, has been declared as a National Monument by India under Ancient Monuments and Archaeological Sites and Remains Act.  According to popular local lore, this is the first temple built by Parasurama, the sixth incarnation of Vishnu. This place of worship is now a living museum of our ancient culture. In our culture, art is a public property, owned and protected by people. The consciousness of the artists is collective. There are no signatures that claims any ownership.

Photography (C) Shiv Kiran
Thrissur Government Fine Arts College / Photography (C) Shiv Kiran
Thrissur Government Fine Arts College / Photography (C) Shiv Kiran
Thrissur Government Fine Arts College / Photography (C) Shiv Kiran

Project 365 aims at collectively creating a locally placed permanent space for photo art that portrays contemporary culture and lifestyle with its profound mystical roots. In present context, these kind of initiatives are rare and without any protocol to follow, Project 365 is evolving its own values, practices and ethics. Prof. Kavitha Balakrishnan, Fine Arts college, rightly said, “It is a collective responsibility”.

Thrissur Government Fine Arts College / Photography (C) Arnav Rastogi
Thrissur Government Fine Arts College / Photography (C) Arnav Rastogi
Thrissur Government Fine Arts College / Photography (C) Arnav Rastogi
Thrissur Government Fine Arts College / Photography (C) Arnav Rastogi

On 12th November, at 2.00 pm, MUKHAMUKHAM event started. The ambiance of the fine arts college was another dimension that added much value to the MUKHAMUKHAM presentation. The presence of sculptures all around added to the rawness of the old building. Prof. Lekha, Principal of the college inaugurated the event with a welcome speech. Prof. Kavitha Balakrishnan introduced the team. Ms. Tulsi swarna lakshmi, Manager, Project 365 introduced the project with the audience. About hundred and twenty students participated in the event.

Photography (C) Arnav Rastogi / EtP Archives
Photography (C) Arnav Rastogi / EtP Archives
Photography (C) Bhagyashri Patki / EtP Archives
Photography (C) Bhagyashri Patki / EtP Archives
Photography (C) Arnav Rastogi / EtP Archives
Photography (C) Arnav Rastogi / EtP Archives
Photography (C) Arnav Rastogi / EtP Archives
Photography (C) Arnav Rastogi / EtP Archives
Photography (C) Arnav Rastogi / EtP Archives
Photography (C) Bhagyashri Patki / EtP Archives
Photography (C) Arnav Rastogi / EtP Archives
Photography (C) Bhagyashri Patki / EtP Archives

Tulsi Swarna Lakshmi

14th November 2014

Bangalore

Travelling MUKHAMUKHAM – Face to Face with Project 365 photographers

Travelling ‘Mukhamukham’

*Coming next November 12th at Government College of Fine Arts, Thrissur

Mukhamukham

On Nov 9th 2014, Mukhamukham event was organised at German Bakery, Tiruvannamalai. Project 365 photographers Arnav Rastogi, Shiv Kiran, Seema Krishnakumar and Bhagyashri presented their works with the National and International audience who had gathered for the presentation. Project 365 Director Abul Kalam Azad was present for the event.

Mukhamukham - Tiruvannamalai / Design (C) Abul Kalam Azad / EtP Archives
Mukhamukham – Tiruvannamalai / Design (C) Abul Kalam Azad / EtP Archives
Mukhamukham at German Bakery, Tiruvannamalai / Phootgraphy (C) Arnav Rastogi / EtP Archives
Mukhamukham at German Bakery, Tiruvannamalai / Phootgraphy (C) Arnav Rastogi / EtP Archives
Mukhamukham at German Bakery, Tiruvannamalai / Phootgraphy (C) Arnav Rastogi / EtP Archives
Mukhamukham at German Bakery, Tiruvannamalai / Phootgraphy (C) Arnav Rastogi / EtP Archives
Mukhamukham at German Bakery, Tiruvannamalai / Phootgraphy (C) Arnav Rastogi / EtP Archives
Mukhamukham at German Bakery, Tiruvannamalai / Phootgraphy (C) Arnav Rastogi / EtP Archives
Mukhamukham at German Bakery, Tiruvannamalai / Phootgraphy (C) Arnav Rastogi / EtP Archives
Mukhamukham at German Bakery, Tiruvannamalai / Phootgraphy (C) Arnav Rastogi / EtP Archives
Mukhamukham at German Bakery, Tiruvannamalai / Phootgraphy (C) Arnav Rastogi / EtP Archives
Mukhamukham at German Bakery, Tiruvannamalai / Phootgraphy (C) Arnav Rastogi / EtP Archives

On November 8th, Vamsi Books, a partner of Project 365 organised Mukhamukham at Lebanon Bungalow, Tiruvannamalai. Bawa Chellathurai, noted Tamil story writer welcomed the gathering. Ms. Tulsi Swarna Lakshmi, Trustee EtP introduced Project 365 with the audience. Project 365 photographers Ami Gupta, Bhagyashri Patki, Arnav Rastogi, Seema Krishnakumar, Shiv Kiran, Jiby Charles, J Jayaraman and Senthil Kumaran presented their early and ongoing works with the Tiruvannamalai audience. The visual feast was enjoyed by about hundred local art enthusiasts. Mrs. Shylaja Chellathurai, Publisher, Vamsi Books delivered the vote of thanks. Project 365 Director Abul Kalam Azad was present for the event.

Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives
Mukhamukham Tiruvannamalai / Phootgraphy (C) Bhagyashri Patki / EtP Archives

‘Photography in everyday life’ is the motto behind this travelling Mukhamukham. In the age of glossy high definition commercial photographs, the non-graphic realistic presentation of everyday life of an ancient town engages the interest of the audience. It is almost three months since Project 365 began and many people express interest to know and meet the photographers who are dedicating their years of service this cultural initiative. EtP has been organising weekly meet the photographer events at Kalai Illam which was received very well. As a continuation of this, travelling Mukhamukham, face to face with project 365 photographers has been organised in different parts of South India.

Schedule:

8th November 2014. Vamsi Books, Tiruvannamalai

9th November 2014, German Bakery, Tiruvannamalai

12th November 2014, Government College of Fine Arts, Thrissur

15th November 2014, Thalam, Bangalore

25th November 2014, Loyola college, Chennai

26th and 27th December 2014, International Theater Festival, Cochin

Project 365 is a PUBLIC PHOTOGRAPHIC ART PROJECT initiated by EtP to photo-document the fast changing ancient culture and contemporary lifestyle of the ancient Tamilakam territory. During the first phase, forty photographers will be documenting the multi-cultural aspects of #Tiruvannamalai, South Indian heritage town over a year period (Aug 2014 – July 2015). This Project is led by contemporary Indian photographer Abul Kalam Azad. FOR MORE PROJECT 365 IMAGES, see #etpproject365 In the next five years, EtP will document the Sangam period ports Muziris, Tindis, Korkai and the Cauvery basin culture and lifestyle.

Disclaimer: All rights reserved. All the images published in this blog is copyrighted property of the author and belongs to PROJECT 365 PUBLIC ARCHIVES. Text research Tulsi Swarna Lakshmi / EtP. Reprinting / publishing rights reserved by the author and EtP (PROJECT 365 public archives). Prior permission is required for reproduction / re-publishing. For more information about Project 365, contact EtP at {0}4175 237405 / {0}94879 56405 / ekalokam@gmail.com/ FACEBOOK – Project 365